It was 8 p.m. as the voice from the tape recorder announced:
“Five elements in organically divided form.
Here speaks Fluxus/Fluxus
Here speaks Fluxus/Fluxus
Now element 2 has climbed up to element 1
Now element 1 has climbed down to element 2…"
[repeat; repeat, etc.]

[New litany:]
“n is the point of intersection of three rays
one sculpture
two potential arithmetic
or also one and two integrated
and element 3

corners of fat/corners of fat
filter corners of fat
corners of felt


BROWNROOMS

Good day, where are you going?
Thorvaldsen Museum


Now element 2 has climbed up to element 1
Now element 1 has climbed down to element 2
…” [repeat, repeat, etc.]


[New litany:]
“n is the point of intersection of three rays
one sculpture
two potential arithmetic
or also one and two integrated
and element 3
…” [repeat all of above, until:]

“In = here speaks, etc.
a = now is, etc.
a/1 = half of a
x = n is, etc.
v = corner of fat, etc.
vu = Good day, etc.
y = up to you, etc.”

[Then repeats all of the above until:]

“MANRESA, I fly to you

N is the intersection of three rays, should not be perceived as infinity, but as possibility.
1 is sculpture = 2 potentially (potency) arithmetical, or both.
Necessary so that everything “works” is the presence of Element 3.


The transformation of corners of fat to corners of felt occurs over
Filter-corners of fat/corners of felt leads directly to the
Brownrooms. A possible brownroom is Thorvaldsen Museum and from here: MANRESA.

The room is painted totally black. In the background is the halved felt Cross (gray). Every five minutes the lights go out for 1 minute.

The spears is suitable in front of the Cross
The plate with the terra cotta−Man on a Cross−is led to the point.
On the back a felt sun on cardboard.
16 pneumatic pumps with fat pressed into the opening of the pump that is sprayed onto the wall−it remains hanging there−drops slowly on the floor.
A bird on a pole flutters its wings.
Block of felt will be lead against the point of intersection
…[constantly repeated until the end]”