Chloroform Sauna (![[info]](http://klab.lv/img/userinfo.gif){kind=small} martcore) rakstīja,@ 2014-05-31 22:58:00 |
 |
 |
 |
|
|
|
|
|
|
 |
|
 |
ir grupas, kas žēlojas, ka viņu mūziku nespēlē radio, jo "neesot formāts"
nelieli paskaidrojumi šajā ziņā
Every radio station uses a transmission audio processor in front of its transmitter. The processor’s most important function is to control the peak modulation of the transmitter to the legal requirements of the regulatory body in each station’s nation. However, very few stations use a simple peak limiter for this function. Instead, they use more complex audio chains. These can accurately constrain peak modulation while significantly decreasing the peak-to-average ratio of the audio. This makes the station sound louder within the allowable peak modulation.
Manufacturers have tuned broadcast processors to process the clean, dynamic program material that the recording industry has typically released throughout its history. (The only significant exception that comes to mind is 45-rpm singles, which often were overtly distorted.) Because these processors have to process speech, commercials, and oldies in addition to current material, they can't be tuned exclusively for “hypercompressed,” distorted CDs. Indeed, experience has shown that there’s no way to tune them
successfully for this degraded material.
xx
nelieli paskaidrojumi šajā ziņā
Every radio station uses a transmission audio processor in front of its transmitter. The processor’s most important function is to control the peak modulation of the transmitter to the legal requirements of the regulatory body in each station’s nation. However, very few stations use a simple peak limiter for this function. Instead, they use more complex audio chains. These can accurately constrain peak modulation while significantly decreasing the peak-to-average ratio of the audio. This makes the station sound louder within the allowable peak modulation.
Manufacturers have tuned broadcast processors to process the clean, dynamic program material that the recording industry has typically released throughout its history. (The only significant exception that comes to mind is 45-rpm singles, which often were overtly distorted.) Because these processors have to process speech, commercials, and oldies in addition to current material, they can't be tuned exclusively for “hypercompressed,” distorted CDs. Indeed, experience has shown that there’s no way to tune them
successfully for this degraded material.
xx
