| sapņotāja |
[Apr. 18th, 2007|12:19 pm] |
Nakts pirmajā daļā bija slepkavas, bēgšana, mūžīgi uzbāzīgi nohipnotizētie (nez kāpēc viņi visi centās uzsist ar bambusa nūju pa manu galvu pēc katras manas atbildes) un vecas, puspamestas muižas ēkas, kurās iekārtota gleznotāja darbnīca (pavasara gaišzaļie vējā plīvojošie aizkari gan bija forši).
(sapratu, ka ja gribas paņemt vēl vienu segu, jo ir vēss, ir vērts. censties sevi sasildīt, sapņos skraidot apkārt, ir mazefektīvs paņēmiens)
Jau rīta pusē visādu ainu bija daudz, taču atceros tikai vienu. Sēžam abas ar māsu pie spoguļa, un es ķemmēju matus. Viņa saka, ka es kļūstot aizvien līdzīgāka un līdzīgāka mammai. Foršais smaids, turpinu sukāt tumši blondos matus un skatīties savā=māmiņas sejā. |
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[Apr. 18th, 2007|06:08 pm] |
"The Occupation of Beauty"
Imagining Nature and Nation in Latvia
Katrina Z. S. Schwartz
This article uses the case of Latvia to explore the relationship between discourses of nature, homeland, and national identity. National entrepreneurs construct homelands by infusing physical terrain with national meanings, thereby transforming landscape into "ethnoscape." The author traces this process in Latvia, beginning with the National Awakening of the 1860s, including the interwar period of independence, and the period under Soviet rule. By focusing on the intranational discursive construction of homeland, this article seeks to complicate the dominant understanding of national identity as a phenomenon linked solely to the drawing and policing of boundaries between members of the nation and outsiders.
Izklausās samērā interesanti. Visu tekstu iesviest?
UPD: download here http://www.sendspace.com/file/gi99zf |
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| no iepriekšminētā par latviešiem |
[Apr. 18th, 2007|06:17 pm] |
Constructions of place and homeland—and specifically constructions of nature and closeness to nature—are especially critical
in understanding national identity in Latvia because Latvians embrace neither a belief in religious election nor a strong sense
of an ancient, glorious age of heroism, which, according to Smith, along with homeland constitute the other two critical
“ethno-symbolic resource repertoires” of nationalism. Indeed, the myth of “seven hundred years of slavery” under the feudal
yoke is much more powerful than that of a distant golden age. As Edmunds Bunkše contends, “The dominant element in Latvian
culture is nature, not history; not stories of deeds and events (although these are not lacking) but evocations of being; of life
in particular nature-culture settings.”
(c)Z. S. Schwartz |
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| tieši pēc šī ir tik ilgi meklēts :) |
[Apr. 18th, 2007|06:20 pm] |
Marking difference from others, determining who does and does not belong to the imagined community, and policing its borders are undeniably central to the phenomenon of nationhood and homeland, but they are not the whole story. National identity is not simply a reaction against otherness. It is about the broader and more complex challenge of projecting a substantive sense of the collective self, the imagined national community, while surviving in the larger world, and the articulation of the nation’s relationship to specific places is absolutely central to this process.
(c)Z. S. Schwartz
UPD: turpat par identitātes un izvēlēto definējošo faktoru nozīmīgumu
And more fundamentally, the particular substance of identity discourses shapes people’s perceptions of their interests and visions of the future in important ways. National discourses cannot be dismissed as mere false consciousness, tools of elite manipulation, or functions of “objective” economic or institutional factors, as instrumentalist theories would have it. Discourses do not merely reflect but help define interests and meanings; they constitute perceptions of reality by making it hard to think outside their boundaries. |
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[Apr. 18th, 2007|11:44 pm] |
| [ | music |
| | Nouvelle Vague- The Killing Moon | ] |
Šis izskatās pēc īstā vakara, kad rakstīt vēstules. Nē, nu patīkamāk jau būtu sēdēt šeit pat uz gultas malas, malkot piparmētru-lakricas tēju, runāties, tad pārmaiņas pēc klusēt, raugoties aiz loga ziedošajos kokos. Pēc skapja pārbīdīšanas istabā daudz vietas, balkona durvis var turēt pavērtas, lai netraucē dūmi, un radiatori aiz muguras maigi silda. Nāciet ciemos! |
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