As a cleaner flits about, I ask him if he is surprised at his popularity, particularly among the young.
“My God, I am the last person to know the answer to these questions,” he says, looking genuinely dismayed. “But, really, I am now thinking there is so much pressure on me to perform. I am getting really bored with it. I am a thinker, but people all the time want this kind of shitty political interventions: the books, the talks, the discussions and so forth.” He sighs and closes his eyes and seems to deflate before my eyes. “I will tell you my problem openly and for this my publisher will hate me. All the talk and the writing about politics, this is not where my heart is. No. I have been sidetracked. I really mean this.”
He opens a copy of Living in the End Times, and finds the contents page. “I will tell you the truth now,” he says, pointing to the first chapter, then the second. “Bullshit. Some more bullshit. Blah, blah, blah.” He flicks furiously through the pages. “Chapter 3, where I try to read Marx anew, is maybe OK. I like this part where I analyse Kafka’s last story and here where I use the community of outcasts in the TV series Heroes as a model for the communist collective. But, this section, the Architectural Parallax, this is pure bluff. Also the part where I analyse Avatar, the movie, that is also pure bluff. When I wrote it, I had not even seen the film, but I am a good Hegelian. If you have a good theory, forget about the reality.”
Why, then, given that he does not like most of his books and does not have any enthusiasm for the lecture circuit, does he not call a stop to the Žižek show? “I am doing that right now!” he shouts. “I am writing a mega-book about Hegel with regard to Plato, Kant and maybe Heidegger. Already, this Hegel book is 700 pages. It is a true work of love. This is my true life’s work. Even Lacan is just a tool for me to read Hegel. For me, always it is Hegel, Hegel, Hegel,” he says, sighing again. “But people just want the shitty politics.”
“My God, I am the last person to know the answer to these questions,” he says, looking genuinely dismayed. “But, really, I am now thinking there is so much pressure on me to perform. I am getting really bored with it. I am a thinker, but people all the time want this kind of shitty political interventions: the books, the talks, the discussions and so forth.” He sighs and closes his eyes and seems to deflate before my eyes. “I will tell you my problem openly and for this my publisher will hate me. All the talk and the writing about politics, this is not where my heart is. No. I have been sidetracked. I really mean this.”
He opens a copy of Living in the End Times, and finds the contents page. “I will tell you the truth now,” he says, pointing to the first chapter, then the second. “Bullshit. Some more bullshit. Blah, blah, blah.” He flicks furiously through the pages. “Chapter 3, where I try to read Marx anew, is maybe OK. I like this part where I analyse Kafka’s last story and here where I use the community of outcasts in the TV series Heroes as a model for the communist collective. But, this section, the Architectural Parallax, this is pure bluff. Also the part where I analyse Avatar, the movie, that is also pure bluff. When I wrote it, I had not even seen the film, but I am a good Hegelian. If you have a good theory, forget about the reality.”
Why, then, given that he does not like most of his books and does not have any enthusiasm for the lecture circuit, does he not call a stop to the Žižek show? “I am doing that right now!” he shouts. “I am writing a mega-book about Hegel with regard to Plato, Kant and maybe Heidegger. Already, this Hegel book is 700 pages. It is a true work of love. This is my true life’s work. Even Lacan is just a tool for me to read Hegel. For me, always it is Hegel, Hegel, Hegel,” he says, sighing again. “But people just want the shitty politics.”
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