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[Feb. 19th, 2010|09:24 am] |
vai TU šorīt jau uzpīpēji?
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[Feb. 19th, 2010|09:48 am] |
Neōns ar Landu atsūtīja ielūgumu — svētdien Zvollē viņiem izstādes atklāšana.
Grafiskais noformējums no Gerdas Krāmeres. |
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| 1967 |
[Feb. 19th, 2010|10:48 am] |
And then leaning on your window sill
he'll say one day you caused his will
to weaken with your love and warmth and shelter
And then taking from his wallet
an old schedule of trains, he'll say
I told you when I came I was a stranger
I told you when I came I was a stranger
I told you when I came I was a stranger
Ļoņka Kogans. strange. stranger. strangest. |
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| abi mani papucīši |
[Feb. 19th, 2010|11:08 am] |
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
___
89. gada vasarā pēc restorāna Rīga apmeklējuma es gulēju tās pašas pilsētas 1. slimnīcā ar smadzeņu perkusijām, kad sirdzēju apraudzīt ieradās Ieva Roze ar pankūkām. tās bija pamatīgi apceptas, un es viņu nekad neaizmirsīšu. |
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[Feb. 19th, 2010|01:47 pm] |
Hace mil años escribí esta canción,
para Janis Joplin,
Chelsea Hotel |
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| May Day (manas mammas dzimene), 1966 |
[Feb. 19th, 2010|02:04 pm] |
TV: Is it triumphant for her [Cohen's mother] to read that her son's next novel is going to be troublesome to the censors?
LC: I think that that could be construed a triumph in 1966.
TV: But that your mother accepts this..?
LC: No, I don't think that anybody really considers the censor's opinion of your work definitive. The censor's in disrepute. The censors are having a hard time.
TV: Because of guys like you?
LC: No, because people really are having more fun, in an obvious kind of way.
MayDay |
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