| 12:32p |
superiority, embitterment, illusion
No kādas recenzijas par Hafneru (Sebastian Haffner, Defying Hitler: A Memoir [nepabeigta grāmata, ko tagad publicējuši 1930. gados Vāciju pametušā, nu jau mirušā Hafnera pēcteči]):
Haffner points out that, even among those who hated the Nazis, there were false “remedies.” Some, he says, especially the older generation, retreated into “superiority”: They mocked the childishness and stupidity of the regime. When the Nazis consolidated their power, and produced statistics about their success, many of these people collapsed.
Another temptation is “embitterment”—becoming addicted to gloom and rage. For the embittered, “The dreadful things that are happening have become essential to their spiritual wellbeing. Their only remaining pleasure is to luxuriate on the description of gruesome deeds, and it is impossible to have a conversation with them on any other topic.” This can drive people to madness—or to a despairing surrender.
A third temptation, which Haffner says was his own, is the opposite: to flee from embitterment into illusion. According to Haffner, German literature of the mid-to-late 1930s was dominated by nature writing, childhood memoirs, and family novels. “A whole literature of cow bells and daisies, full of children’s summer-holiday happiness, first love and fairy tales” accompanied the rallies, the violence, and the blare of propaganda. For most of these escapist writers, Haffner relates, it ended in mental breakdown. |
| 1:55p |
Hermanis ‒ asprātīgs, maita
Adamaite ("Kultūras diena", 23. aug.): Runājot par cilvēkiem svarīgām vērtībām ‒ vai arī šajā jomā nav vērojama izšķīšana, vismaz ārkārtīgi dažāda pieeja? Vai domā, ka zini, kas ir svarīgi JRT skatītājam?
Hermanis: Ideja ir tāda ‒ lai ne visi simtprocentīgi, bet vismaz 80 procenti cilvēku ir spējīgi identificēties gan ar tematiku, saturu, gan arī teātra valodu. Tikko satori.lv redzēju interviju ar kādu Rīgas teātra festivāla vadītāju, kura mēģināja noformulēt savu konceptu kā cieņu pret baltajiem vīriešiem. Mēs nevaram atļauties būt tik radikāli un rasistiski, esam tomēr valsts teātris. Nodokļu maksātāji ir ļoti raiba publika, un mēs esam viņiem, nevis otrādi. |