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Oct. 28th, 2018 | 04:30 pm

Ibērs Godārs par neredzamo:

"In performance, a big part is what you don't see; it's what is not
there. What is avoided or repressed is what is "yelling." A
good example is Nijinsky. In many ballets of Nijinsky, there
is no potential for aggressive movement. In Petrushka, for
example, Nijinsky is completely inside the training, afraid of
the space around and of defending his territory. So in his
space of action, there is no capacity for defense against aggression.
The audience is touched because even if you don't
understand the story, you still grasp this impossibility."

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