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Jan. 10th, 2011

[info]josie

04:53 pm - attēls iknedēļas The New York Times Magazine 50tajos jeb kādēļ strādnieki Amerikā pārcēlās uz Islipu

"I began to think of it as that apartment. The walls were always pure white and free of moldings, casings, baseboards, and all the rest. In the living room there were about 17,000 watts' worth of R-40 spotlights encased in white canisters suspended from the ceiling in what is known as track lighting. There was always a set of bentwood chairs, blessed by Le Corbusier, which no one ever sat in because they caught you in the small of the back like a karate chop. The dining-room table was a smooth slab of blond wood (no ogee edges, no beading on the legs), around which was a set of the S-shaped, tubular steel, cane-bottomed chairs that Mies van der Rohe had designed - the second most famous chair designed in the twentieth century, his own Barcelona chair being first, but also one of the five most disastrously designed, so that by the time the main course arrived, at least one guest had pitched face forward into the lobster bisque. Somewhere nearby was a palm or a dracena fragrans or some other huge tropican plant, because all the furniture was so lean and clean and bare and spare that without some prodigious piece of frondose Victoriana from the nursery the place looked absolutely empty. The photographer always managed to place the plant in the foreground, so that the stark scene beyond was something one peered at through an arabesque of equatorial greenery."

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