| Fanks, vecīt, fanks! |
[Jul. 19th, 2005|10:45 am] |
BlueWater - Unwind [192 Kbps, 78 Mb]
King Curtis - Memphis Soul Stew
Naomi Davis - Promised Land
Bamboos - Eel Oil
Lil Willie and the Rockin' Imperials - Crazy Stomp
Beau Dollar - Who Knows
Buddy Guy - She Suits Me to a Tee
Rusty Bryant - Fire Eater
Alvin Cash - The Getaway
Larry Darnell - Son of Son of a Slave
Andre Williams - Soul Party A-Go Go
Eugene Blacknell - We Know We Got To Live Together
Dee Williams - A Girl Cant Go By What She Hears
Jean Wells - He Aint Doing Bad
Ann Sexton - You're Gonna Miss Me
Eldridge Holmes - The Book
Brenda and The Tabulations - Scuze Us Y'all
James Young and The Housewreckers - Funky Booty
Ernie and The Top Notes - Things are Better
The Nite-Liters - Afro Strut
The Inner Drive - Smell the Funk
Ebony Rhythm Band - Soul Heart Transplant
Un tur vēl ir daudz viskautkā. |
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| Know the Amen |
[Jul. 19th, 2005|11:47 pm] |
Can I Get An Amen? is an audio installation that unfolds a critical perspective of perhaps
the most sampled drums beat in the history of recorded music, the Amen Break. It begins with
the pop track Amen Brother by 60's soul band The Winstons, and traces the transformation of
their drum solo from its original context as part of a 'B' side vinyl single into its use as
a key aural ingredient in contemporary cultural expression. The work attempts to bring into
scrutiny the techno-utopian notion that 'information wants to be free'- it questions its
effectiveness as a democratizing agent. This as well as other issues are foregrounded through
a history of the Amen Break and its peculiar relationship to current copyright law.
Can I Get An Amen? [.mov, 35 Mb, 17:46 min]
Link |
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